Story, Screenplay and Direction:The narrative is definitely interesting in the movie. It seems like a risk, a make or break thing. But it works for the movie. Neelakantha's movies have a real life touch to it, that's both realistic yet magical. He doesn't try anything different, which sometimes is a good thing. He's good with some aspects, like characters and narrative. A HR who's passion is theatre (MS Narayana wearing drama company greasepaint and Krishna costume-a riot), a 'Gandhian' who doesn't practice what he preaches (Brahmanandam) and Vishwak Sena himself. Reminds you of the late Jhandyala or even Bapu sometimes, as far as character portraitures are concerned.
The pace of each scene is deliberately slow, because real life is not a blur of fast moving objects. But with the average attention span decreased due to obvious reasons, it gets difficult to stay alert in some parts of the movie. Basically, the grip slackens. The songs are again a drag, except one.
A small chunk of the movie contains Raja speaking directly to the camera, and the childhood love story between Raja and Genelia. The office gossip and atmosphere is real. The various characters in the office, and even Sonu Sood's entry is good.
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